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1. #Evangelion episode 4 dub movie
2. #Evangelion episode 4 dub series

Much of her motivations are shrouded in mystery, which allows the film to stay at a consistent pace and prevents it from becoming bloated, considering the amount of characters and plot developments already at hand, but her presence adds yet another exciting new element, along with some comic relief. A completely new character - Mari - also joins the fray. The charismatic Asuka is introduced, who adds a whole different vibe to the film and there is yet more original material for fans of the series, as established characters such as Shinji and Rei develop significantly, the latter in directions you may not expect. Rebuild 2.0 excels in its characterisation. The ending song is provided by Japanese sensation Utada Hikaru, who offers a beautiful acoustic rendition of her famous track 'Beautiful World', a perfect companion piece to the ending, again in contrast. Rebuild 2.0 even has it's own 'Komm, süsser Tod' moment where an upbeat song is played in contrast to a brutal sequence, with the lyrics adding a welcomed sense of irony, which is what we've come to expect and delight over from the Evangelion franchise. Sagisu creates a fine amount of stunning compositions that further bring to life Tokyo-3, the characters and the phenomenal action sequences. Music has always been a very innate part of Evangelion as integral as the Evangelion units themselves, and it's no different in Rebuild.

#Evangelion episode 4 dub series

The music was composed and arranged by Shiro Sagisu - who scored not only the first Rebuild film, but also the original series and The End of Evangelion - and recorded at the famous Abbey Road Studios with the London Studio Orchestra. Studio Khara have set a frighteningly faultless example to other animation studios - they've outdone themselves. The art style is bold, clean and dazzling, and the animation is dynamic, majestic, smooth and ever fluid. The team create an alarmingly beautiful world among all the chaos and destruction, with such intricate attention to detail, stunningly complex designs and action set pieces unlike anything before it. Between them, the animation staff for the Rebuild tetralogy have worked on a huge number of highly acclaimed works, which includes the original Evangelion series. As in the first film, the Angels have been given a make-over, along with the Evangelion units, the futuristic, ever wondrous city Tokyo-3 and even the characters. The animation and art are one of the absolute stand-out elements in Evangelion 2.0. The pace is near flawless and both veteran fans and new audiences alike will be able to watch with wide-eyed excitement and suspense as the new plot unravels. Twists and turns - as expected - are ever present, new characters enter the fray and the plot takes fresh, astonishing directions while retaining its mysterious, engrossing aura. A treat for fans new and old, the new canon material does not disappoint.

#Evangelion episode 4 dub movie

Where the first Rebuild movie left off), but it's during this film that the 'remake' starts becoming the 'reimagining' Anno said the Rebuild tetralogy would be. The plot vaguely follows episodes 8 to 19 of the series (and picks up from While the first Rebuild of Evangelion movie followed the series closely, events are drastically changed in 2.0. Evangelion 2.0 is no exception, a film perhaps not as innovative now as the original series was at the time of its release, but nevertheless an awe-inspiring work that raises the bar ever higher - an anime feature up there with the greats. Every once in a while an anime movie is released to enormous widespread acclaim the likes of Akira, Ghost in the Shell and Spirited Away were hailed as sublime, game-changing features.